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Describes computational techniques that can identify if short Shakespeare passages are spoken by a male or female character, "demonstrating that the author adopts a distinct style for each gender." English summary, 1238.
Using stylometric analysis with R Stylo, suggests that George a Greene, the Pinner of Wakefield is an early play by Shakespeare that was purposefully excised from later constructions of his canon in, for instance, the first folio. English summary 167.
Applying natural language processing (NLP) techniques, namely sentiment analysis, in a consideration of gender and genre, finds "that male characters in Shakespeare’s plays are angrier, more fearful, more surprised, less loving, and less sad than female characters, even when controlling for the effects of genre." English summary, 522.
Applies stylometric analysis (using R Stylo) to confirm Thomas Merriam's argument that Shakespeare adapted Henry V from an earlier Marlovian play (q.v.).
"Argues that [Shakespeare's] plays challenge audiences and readers in ways that can represent barriers to learning" and that "in overcoming these barriers, the students can complete valuable lessons on how to learn." English summary, 13.
Focusing on "word length in verse sections," offers a quantitative argument to suggest that Shakespeare had a co-author for Henry V or that Shakespeare rewrote an existing play, possibly by Christopher Marlowe. English summary, 1158.
Positions Maggie O'Farrell's Hamnet (q.v.) as a work of "creative criticism" that "reaches for what we’re really after: an encounter with the inner life of Shakespeare." Suggests that O'Farrell interprets Hamlet as a memento vivere (instead of a memento mori) for his lost son, Hamnet, written for Anne Hathaway (Agnes, in the novel).
Analyzes social media posts about olfactory perceptions during Sleep No More (q.v.).English summary, 218.
Refutes Catherine Gallagher's ideas about "the rise of fictionality” by showing that Othello presents a "probable fiction," muddying clear-cut distinctions between truth and fiction. English summary, online.
Argues that "Hamlet’s time is out of joint, and this time is at the root of its tragic promise and frustration." Considers saying as showing, silence and noise, being, and meaning in Hamlet. English summary, online.