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Shows hows Vishal Bhardwaj's Haider (q.v.) exemplifies how Bollywood and Hollywood cinematic practices have become more similar, with Bollywood productions toning down formal, melodramatic elements and Hollywood amplifying melodramatic elements. Traces hybridity and melodrama across multiple adaptations of Shakespeare on screen.

Rehabilitiates the folio text of Othello's "She ha's done my Office," suggesting that it offers evidence that Emilia slept with Othello to advance Iago's career.

Suggests that Djanet Sears's Harlem Duet (q.v.) re-presents and re-visions racialized and gendered tragedy to "disrupt and unsettle this cycle."

Describes her dual position as a Shakespeare scholar and author who also teaches creative writing. 

Reflects on career path from early modern literary scholar to "full-time director of a college-in-prison program," emphasizing the value of teaching Shakespeare in prisons for committed instructors and incarcerated people.

Describes her career path and the creation of Play the Knave (q.v.).

Describes teaching Shakespeare and early modern literature in Flint, Michigan.

Archive of Latinx Shakespeare productions and adaptations.

Describes her career path as a scholar of Latinx literature and Shakespeare. Positions "artistic practice as creation" and reflects on ethical, engaged public scholarship. 

Describes importance of engaging with K-12 teachers as way to "reimagine the discipline" of English and Shakespeare studies.