Search & Browse

Adapted by Laura Foot. Translated into German by Erich Fried and Henning Bochert and into Xhosa by Sanele KaNtshingana. Robert Koall, dramaturg. Sets and costumes by Gerhard Marx, lighting by Jean-Mario Bessière, and music by Kyle Sheperd.

Produced by Düsseldorfer Schauspielhaus (https://www.dhaus.de) at the Großes Haus, Düsseldorf, beginning 2 September 2022.

With Bongile Mantsai (Othello), Ben Daniel Jöhnk (Brabantio), Jonas Friedrich Leonhardi (Cassio), Wolfgang Michalek (Iago), Florian Lange (Roderigo), Gunna Teuber (Duke of Venice), Glenn Goltz (Lodovico), Valentin Stückl (Montano), Pauline Kästner (Desdemona), Frederike Wagner (Emilia), and Blanka Winkler (Bianca).

Translated into German by Jakob Nolte. David Heiligers, dramaturg. Sets by Stéphane Laimé, costumes Kathrin Plath, lighting by Marco Scherle, and music by Carolina Bigge and Arno Kraehahn.

Produced by Deutsches Theater Berlin (https://deutschestheater.de) at the Deutsches Theater, Berlin, beginning 1 September 2022.

With Wolfram Koch (Prospero), Linn Reusse (Miranda/Gonzalo), Lorena Handschin (Ariel), Julia Windischbauer (Caliban/Antonio), Tamer Tahan (Alonso/Trinculo), and Jeremy Mockridge (Ferdinand/Stephano).

Sets and costumes by Johanna Pfau.

Produced by Mecklenburgisches Staatstheater (https://www.mecklenburgisches-staatstheater.de) at the Mecklenburgisches Staatstheater, Schwerin, beginning 25 June 2022.

Petra Schiller, dramatrug. Sets and costumes by Ran Chai Bar-Zvi.

Produced by E.T.A.-Hoffmann-Theater (https://theater.bamberg.de) at the E.T.A-Hoffman-Theater, Bamberg, beginning 25 June 2022.

Sets by Franziska Smolarek.

Produced by Die Badishe Landesbühne (http://www.dieblb.de) at the Badische Landesbühne, Bruchsal, beginning 15 June 2022.

Explores positive potential of theatre-making project to allow marginalized children living public housing in Singapore to reflect on their lived experiences and agency. Describes children's growing interest in studying Shakespeare when approach shifted from reading to performance. 

Describes Theater of Translation (TOT) (a school-based theater program in majority Latinx school)'s approach to youth self-expression through scriptwriting. Describes student experiences and outcomes for students' composition of adaptations of Shakespeare's plays written in their own voices and relating to their personal concerns.

Explores potential for postcolonial social justice oriented approaches within young people’s collaborative performance of Shakespeare. Includes interviews and observations to discuss “active creation of pedagogic space" in context of Shakespearean performance.

Investigates publication, performance and reception of early modern drama during English Civil Wars and Interregnum, during English theater prohibition of 1642 to 1660. Examines sharp decline of full-length Shakespeare publication in 1640s and 1650s, arguing that, given absence of newly-written plays on stage, dramatic stationers focused on publishing "new" (that is, previously unprinted) plays, and Shakesepare's frequently-printed plays were too "old" to appel to novelty-obsessed stationers and consumers. Attends to Interregnum circulation of Shakespeare in abbreviated formats of drolls, commonplace books, and contemporary allusions to his works, characters and to Shakespeare as author. 

Mirjam Meuser, dramaturg. Sets by Matthias Müller; costumes by Ariane Königshof.

Produced by Theater Heilbronn (https://www.theater-heilbronn.de) at Theater Heilbronn, Heilbronn, beginning 11 June 2022. 

With Luca Rosendahl (Romeo), Sabine Unger (Lady Montague), Pablo Guaneme Pinilla (Benvolio), Leonie Berner (Juliet), Nils Brück (Capulet), Judith Lilly Raab (Lady Capulet), Arlen Konietz (Tybalt/Paris), Regina Speiseder (Nurse), Oliver Firit (Escalus), Sven-Marcel Voss (Mercutio), and Romy Klötzel (Friar Laurence).