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Discusses influence of World War II on Laurence Olivier's Shakespearean film adaptations, Henry V (1944) Hamlet (1948) and Richard III (1955).
Discusses Vishal Bhardwaj's Omkara (q.v.) as a cinematic adaptation of Othello. Considers "the politics of love and desire" "within a context of surveillance of feminine sexuality, power and caste anxiety."
Includes an interview with actor and director Al Pacino on his film Looking for Richard (q.v.)
Discusses Julie Taymor's Titus (q.v.) as film that complicates our idea of Roman antiquity and our idea of cinema.
Includes two chapters previously already published as essays in Italian: "Theoretical hypothesis for the segmentation of the dramatic text," ("ipotesi teorica di segmentazione del testo teatrale," q.v.) offers a semiological analysis of drama, with examples from Julius Caesar, Macbeth, and Othello. "Rhetoric in the theatre" ("La retorica a teatro", q.v.) applies rhetorical analysis to stage events, with examples from Julius Caesar, Othello, and Richard II.
Compares Bülent Bozkurt and Orhan Burian's translations of Shakespeare's Hamlet and illustrates how translator's social background can affect translator's visibility. Turkish summary, online.
Discusses relationship between Shakespeare’s plays and music with reference to Hamlet, Merchant of Venice, Twelfth Night, Othello, Midsummer Night’s Dream, and As You Like It. Contextualizes Shakespeare's knowledge of music in broader culture of music in early modern period. English summary, 29; Turkish summary, 30.
Compares ghazals of Fuzûlî (1483–1556) with Shakespeare's sonnets and discusses similarities and differences regarding their thematic negotiation of different varieties of love. English and Turkish summaries, 58-9.
Examines Shakespeare's effects on Turkish literature, particularly Turkish author Hamdi Tanpınar (1901–1962). Compares use of mistaken identities and situational comedy in Tanpınar's Time Regulation Institute and Shakespeare's Comedy of Errors. English and Turkish summaries, 313-4.
Examines characters such as Shakespeare's Iago, Edmund, Lear, Hamlet, and Macbeth through Niccolò Machiavelli's concept "virtù". Turkish and English summaries, 275-6.