138,701 entries in:
Analyzes truth, post-truth, "alternative facts," and poetic justice in Julius Caesar. English summary, 120.
Discusses Romanian subtitles in Zeffirelli's Romeo and Juliet. English summary, 317.
Compares portrayal of disease in Shakespeare's works to coronavirus in the twenty-first century. Bosnian summary, online.
Considers portrayal of Shakespeare's genius in two essays: one by Johann Gottfried Herder and one by Egon Friedell. Argues that "Herder utilizes Shakespeare for his poetological scheme to underscore a new and progressive type of poet in the epoch of Sturm und Drang" and that "Friedell tries to exemplify by reference to Shakespeare an entire era in contradistinction to his present age at the beginning of the 20th century." German, English, and Polish summaries, 82-83.
Analyzing Shakespeare Lives! and its short-form video content designed for social media, "investigate[s] how the British Council makes a Shakespeare a spreadable commodity, combining the technologically advanced popular culture aesthetics with a degree of updated yet re-circulated controversy and subversion." Focuses on Phoebe Boswell's "Dear Mr Shakespeare" (an adaptation of Othello) and Viktoria Modesta's "A Midsummer Night's Dream" (q.v., directed by Shola Amoo). English summary, 129.
Offers an overview of Shakespeare on film from Hollywood's golden age to present-day pop culture. English summary, 35; Bosnian summary, 59.
Reads Caliban as "an ironic counterpart of every character in The Tempest." Declares that "critics who reduce Caliban to the lame ideological cliché of the native oppressed in a colonial world fail to understand the concomitant dignity and abjection of the monster’s character, his irreducible complexity, and his ambiguity." English and Romanian summaries, 135.
Considers onstage pregnant body as "over-body," drawing on scholarship by Kathryn M. Moncrief and Kathryn R. MacPherson (q.v.) and using All's Well that Ends Well, Measure for Measure, and Winter's Tale as examples.
Explores the phrase "a Shakespeare of our time" as an example of a proper name making meaning because of Shakespeare's reputation. English summary, 157.
Draws on speech act theory to show that "ALL-BE-WELL" formulations are "magic command[s], initially infelicitous." English summary, 163.