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Argues that the ghost of Hamlet's father represents Hamlet's thoughts, turning his "inward monologue into dialogue" and dramatizing "the divided consciousness of Hamlet's ego." English summary, 17.

Includes four essays on Shakespeare.

Argues that in the sitcom Upstart Crow (BBC Two, q.v.), Ben Elton positions Shakespeare's character as a working-class hero, playing with the high culture/literary divide of Shakespeare's plays and low culture status of sitcoms. Suggests Elton's writing, too, is "a work of literature."

Includes one essay on Shakespeare.

Recounts assignment for "Shakespeare in the Digital Age" undergraduate course where students create an online edition usingn Scalar and trace pop culture references to Shakespeare. Includes assignment prompt.

Includes one essay on Shakespeare.

By Golden Glitch Studios. With game design by Connor Fallon, engineering by Eric Butler, Duncan Boehle, and Kristin Siu, art by Val Reznitskaya, Tatiana Soutar, and Welsey Martin, sound design by Steve Green, animation by Becca Gray, and music by Adam Gubman.

A "point-and-click adventure game" for Windows, Mac, and Linux, wherein Ophelia lives in a timeloop.

Suggests that Elsinore, a point-and-click video game by Golden Glitch (q.v.) "creat[es] an environment of interpretation that encourages the player to be a reader, as well as a spectator and actor of a Shakespearean play." Portuguese and English summaries, 95-96.

Suggests that Toni Morrisons' "retelling of" Tempest and construction of Jadine Childs in Tar Baby presents "black women's feminine and racial identities" as "multiple and plural."

Argues that Marco Antonio Rodrigues's insertion of popular songs into Otelo (q.v.) "perform[s] an epic framing function" and offers "critical commentary on the action" by offering a "contemporary referent."