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From a materialist feminist perspective, analyzes the reasons for social resistance in Titus Andronicus and Coriolanus, focusing on how subjugated classes resist oppression.
Studies how teaching Shakespeare to teenagers can help them cope with adolescence.
Examines Mary Lamb's adaptation of Shakespeare's problem plays, focusing on her treatment plot and character.
Shows how Joanna Baillie, the eighteenth-century Scottish poet and dramatist, is "a child of Shakespeare's artistic lineage." Explores her artistic reinvention of Shakespearean works. English summary, 1.
Delineates the measures used to prove the identity of Durham University's recovered First Folio while arguing for the significance of retaining copy-specific details on record.
Analyzes Julie Taymor's Titus (q.v.) as "a rejection of the 'pattern, precedent, and lively warrant' inaugurated by her successful collaboration with the Disney Family," which had financed Taymor's earlier film and Broadway production, The Lion King.
Offers a history of the Globe Players in San Diego's Globe Theatre.
Considers Der Bestrafte Brudermord, an adaptation of Hamlet, as a potential puppet play. Traces the German play's historic transmission.
Discusses François Truffaut's Shakespearean references in Jules et Jim, a film adaptation of Roché's novel, in relation to the concept of fidelity in adaptation studies.
Uses the poem "Shall I die?" to test a new methodology for authorship attribution of a relatively short work. Recommends comparing the linguistic entropy of a small work with known works by an author. English summary, 301.