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Reproduces a cutaneous hemangioma image of Hamlet holding Yorick's skull.
Explores the visualization and appropriation of Hamlet in Feng Xiaogang's Ye yan.
Analyzes Eimuntas Nekrosius' theatrical images in his productions of Shakespeare in terms of the phenomenology of material-imagination of Gaston Bachelard.
Suggests that in Taming of the Shrew Katherine is establishing her vividness in a way impossible for her to resist as a subaltern over the brutality of early modern powerful patriarchy.
Concludes that the conflicting sexual readings of Sonnet 20 are possible because the poem reflects the contradictions and ambiguities in social, cultural, and intellectual situations of Shakespeare's era.
Considers how in Merchant of Venice Shakespeare uses Shylock to represent Jews to his early modern audience.
Explores the relationship of visual and verbal modes of representation as well as the relationship between drama and narrative in Winter's Tale.
Suggests that American youth culture is the "most effective lens" for gauging Shakespeare's persistent influence on contemporary media. Draws from Hamlet, Taming of the Shrew and Tempest, arguing that Shakespeare, for American youths, exists at the intersection of pedagogy, commerce, and media consumption.
Responds to the Shakespeare's Authorship Coalition's offer of a 40,000 pounds sterling donation to the Shakespeare Birthplace Trust for proof of Shakespeare's authorship of the canon by speculating on the real motives of the Coalition. See the response by Lesley Chamberlain, 20-27 December 2013, p. 6.
Interprets King Lear in the context of Jacques Lacan's psychoanalytic theories.