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Suggests that Shylock's attempt to open Antonio's Christian body to take the pound of flesh in Merchant of Venice "represents and reproduces a willingness to attack and to profane the Eucharist." English summary, 821.
Draws on Macbeth to examine the "biopolitical category of the un-born" or "unbearable life" in a new history of political theology. English summary, 788.
Discusses his reviewing of Barbara Gaines's Troilus and Cressida (q.v.) and Merchant of Venice (q.v.).
Discusses the artistic choices that Barbara Gaines, founder of the Chicago Shakespeare Theater, has made when directing Shakespeare and how the company functions as a community.
Offers an account of the formation of the Chicago Shakespeare Theater.
Reads Gratiano's use of metempsychosis to describe Shylock as wolf in Merchant of Venice as evidence of early modern anxiety over the nature of the soul.
Analyzes the ways in which the interior spaces of the Chicago Shakespeare Theater's Courtyard Theater help build a relationship between the actors and audience.
In examining Josie Rourke's feminist approach to Twelfth Night (q.v.), analyzes how she reinvents Shakespearean gender swapping to include homosexuality and bisexuality.
Discusses the Chicago Shakespeare Theater's Short Shakespeare! productions for young audiences.
Comments on teaching Shakespeare to senior citizens and praises the Chicago Shakespeare Theater's "Short Shakespeare!" series.