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Attempts to find a true way to communicate in Wonhyo's and Shakespeare's works that deal with conflicts and tragic reality.
Examines Chinese film adaptations of Shakespeare, with a particular focus on two adaptations of Hamlet: The Banquet and Prince of the Himalayas (both q.v.). Concludes that "these two adaptations make a Chinese contribution to the global entertainment industry; they enrich and popularize the Bard's heritage."
Analyzes performative aspects of Yang Jung-ung's Korean production of Hamlet (q.v.), which was adapted in consideration of the shamanic ritual Gut.
Attempts to explain the significance of Jews on the early modern English stage by discussing Marlowe's Jew of Malta and Shakespeare's Merchant of Venice.
Argues that in Thomas Bowdler's attempt to amend Measure for Measure for the Bowlder Family Shakespeare he "sought to reconcile a longing for a perceived oral culture of literary social coteries (represented by [Samuel] Johnson), with a genuine acceptance of the plays as carefully and judiciously edited printed texts."
Explores three film adaptations of Macbeth: Michael T. Starks's American production, Geoffrey Wright's Australian production, and Rupert Goold's British production (all q.v.). Analyzes how these films describe different interests and social backgrounds.
Aims to explore how Shakespeare represents women such as Joan of Arc and Margaret who have power to control men in 1-3 Henry VI.
Explores the complex relationship between verbal and visual modes of representation in Shakespeare's ekphrastic descriptions in Hamlet. Focuses on the importance of narrating the visual.
Examines the ways in which the speaker persistently attempts to form self-identity as a modern subject in Shakespeare's Sonnet 144.
Aims to examine Angelo's and Duke Vincentio's biopolitics in Shakespeare's Measure for Measure. Considers ways their biopolitics solidifies or weakens the governors's sovereign power.