138,701 entries in:
Establishes The Rose Theatre, the first playhouse on Bankside, as a place where Shakespeare and his contemporary playwrights observed each others' works and exchanged influences. French and English summaries, 225.
One-act play based on Hamlet.
Poem based on Rape of Lucrece.
Poem based on Hamlet.
Poem about Lady Macbeth.
Draws on King Lear, Winter's Tale, and Twelfth Night to highlight "the epistemological and hermeneutic issues posed by 'recognition scenes'" in early modern drama and to underline "the differences between plays and genres from 1580 to 1620 in England." "Discusses the interplay between knowledge, acknowledgment, disowning and confession in recognition scenes." French and English summaries.
Compares Edgar's recognition scenes in King Lear and Nahum Tate's adaptation, arguing that in the latter Edgar's "'second birth' is experienced at both historical and dramatic levels" and that the recognition scenes "explore new aesthetic tracks in the Restoration context in which the theatre must be reinvented." French and English summaries.
Analyzes Aristotle's three kinds of transformation (cognitive, affective, and change of destiny) in recognition scenes in King John, Pericles, and King Lear. French and English summaries.
Uses Hamlet and Midsummer Nght's Dream to explore recognition strategies and their effect on internal and external spectators in the play-within-a play structure characteristic of both Shakespeare and baroque theater. French and English summaries.
Explores how the Pyramus and Thisbe playlet in Jean Vilar's Midsummer Night's Dream (Avignon Festival, 1959) "crystallises Vilar's vision and practice of popular theatre in many ways." English and French summaries.