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Draws on her acting experience in two productions at the Globe, as Lady Macbeth in Macbeth and as Beatrice in Much Ado About Nothing, to suggest that Shakespeare's characters are connected despite contrary qualities.
Draws on her acting to focus on the triangular tension in Shakespeare's plays.
Discusses how the author adapted King Lear into the novel A Thousand Acres (q.v.).
Examines the author's experience as a reader of and audience for Shakespeare's texts and stage performances to suggest how they influenced her novels, The Garrick Year and The Sea Lady.
Shows how Antony and Cleopatra creates illusions or appearances to defeat reality.
Draws on the author's recollections about teaching Romeo and Juliet to students during the Vietnam war, suggesting that Shakespeare's love story can be used in classroom according to our own time.
Discusses audience reaction to the ending of Baz Luhrmann's Romeo and Juliet.
Focuses on the "magic of comics" and his choice to appropriate Shakespeare in his graphic novel series Kill Shakespeare.
Suggests that his film My Own Private River stems from an "artistic genealogy" of films and Shakespeare's plays, relating his project to Shakespeare's using British history for his plays.
Relates how her life-long love of Shakespeare, the master story teller, led her to become a writer.