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Challenges notion that early Soviet Russia regarded A Midsummer Night’s Dream as politically unobjectionable and unproblematic play. Considers early staging history of play in Soviet Russia from 1919 through 1920's to assess play's usefulness in building "proletarian theater" and investigates use of Shakespearean comedy in 1930's to provoke "humanist vision of an idyllic, egalitarian, and conflict-free future." Concludes with case study on 1941 production of Midsummer Night's Dream at the Central Red Army Theater in Moscow. English summary, online. 

Explores how use of "local habitations" for settings in progressive adaptations of Midsummer Night's Dream aim to "remedy injustices in our times and the power asymmetries that inform Shakespeare’s play." Considers "place and social space" in three case studies of Midsummer Night's Dream, including queer film Were the World Mine (2008), mime-dance production Dreamer (2016), and the Royal Shakespeare Company’s pandemic-era, digital production of Dream (2021). English summary, online.

Explores pastoral "green worlds" in Shakespeare's late romances as "space of communion between the human and the nonhuman," demonstrating their "metamorphic power" as "spaces in which the human seemingly dissolves, blending and scattering into the landscape—into the nonhuman other." Focuses on pastoral idylls in Tempest and Winter's Tale.

Discusses Candle Wasters’ Bright Summer Night, adaptation of Midsummer Night’s Dream, focusing on its engagement with eco-criticism and youth studies, particularly play's negotiation of current generation's eco-anxiety in face of climate change.

Discusses Midsummer Night's Dream in modern performance with emphasis on its dealing with “problems of (sexual) consent, misogyny, colonialism, inequity, and ecological disaster.” Offers short introduction to how these issues are defined in play-text’s staging history from nineteenth to twenty-first century and how assembled articles in Shakespeare Bulletin (40.3) explore recent theatrical projects’ “mixed results” on play's "transformative potential."

Explores how Brazilian theater group Nós do Morro integrates Shakespeare into their performances using the concept of Cultural Anthropophagy, Brazilian artistic movement that metaphorically "devours" foreign influences to generate something new. Notes how group, which consists mostly of favela residents, blends its social reality with classic texts, to create productions that resonate both locally and globally. Discusses their adaptation of "A Midsummer Night's Dream," as evidence of their innovative and impactful work.

1. Traces history of performance of Romeo and Juliet's funeral procession from its initial appearance in John Rich's Covent Garden production of 1750 to its general disappearance around 1850, with only few later exceptions. Offers reasons for scene's inclusion, evolution and eventual disappearance in second half of nineteenth century. 

Discusses director Julie Taymor's production of Midsummer Night's Dream (2013, q.v.). Considers especially staging of Indian votaress as yellow light illuminating Titania's face. Argues Taymor's staging embodies "Indian votaress’s potential to offer audiences more than a vision of racist, European colonization." English summary, online.

Examines literary connections, historical contexts, and thematic similarities between Shakespeare (1564–1616) and Miguel de Cervantes (1547–1616). Considers theatrical dramatizations of Cervantes' work and relates it to Shakespearean drama. 

Offers overview of Shakespeare's biography, career, themes, and contributions to literature.