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Explores Bakhtin's theories of polyphonic and dialogic language through examination of Othello, focusing on Iago. Argues that Iago’s "supreme power in turning everything in his own favour, in being an improviser, depends, more than anything else, on his cunning use of a language which is intensely dialogic." English summary, 27.

Reflects on scholarly contribution of Katherine Duncan-Jones, eminent Shakespearean scholar who died in 2022.

Edited from the manuscript by Otto Tolonen. 

Musical settings for guitar, featuring "I. Sir Andrew Aguecheek," "II. Bottom's Dream," and "III. Mad Lady Macbeth." Includes preface by Otto Tolonen in English, German, and French. Urtext edition that "follows the manuscript as closely as possible."

Sets by Christopher Swader and Justin Swader, costumes by Mika Eubanks, lighting by Reza Behjat, and music by Greg Pliska.

Produced by the Red Bull Theater (https://www.redbulltheater.com) at the Lucille Lortel Theater, New York, NY, 6 March-1 April 2023.

With Veronica Falcón (Widow Green), Zach Fine (Michael), Emma Geer (Susan), Cara Ricketts (Alice), Tony Roach (Mosby), Joshua David Robinson (Clarke), Thomas Jay Ryan (Arden), Thomas Sesma (Franklin), David Ryan Smith (Will), and Haynes Thigpen (Shakebag).

Produced by the Arizona Repertory Theatre (https://theatre.arizona.edu) at the Tornabene Theatre, Tucson, AZ, 26 February-19 March 2023.

With Max Murray (Romeo), Sydney Di Sabato (Juliet), Tess Dinerstein (Lady Capulet), Andrew Tong (Capulet), Madelyn Whitehead (Nurse), Ben James (Tybalt), Daniel Milani (Paris), Camden Stankus (Escalus), Patrick Ryan (Mercutio), Alyssa DiRaimondo (Antonia), Lydia Schmidt (Potpan), Brooke Gorman (Lady Montague), Ray Cuevas (Montague/Friar John), Clayton Lukens (Benvolio), Babacar Ba (Friar Laurence), Katie Browne (Page), Leland Hao (Peter), Isabella Santoni (Susan), Isabella Russo (Nell/Apothecary), and Lily Wilson (Grindstone).

Produced by Shakespeare at Notre Dame and Actors from the London Stage (https://shakespeare.nd.edu) at Brigham Young University, Provo, UT, 23-29 January 2023; at Rice University, Houston, TX, 30 January-5 February 2023; at Kansas State University, Manhattan, KS, 6-12 February 2023; at John Carroll University, University Heights, OH, 13-19 February 2023; and at University of Notre Dame, Notre Dame, IN, 27 February-5 March 2023.

With Grace Andrews (Juliet/Benvolio/Apothecary), Kaffe Keating (Mercutio/Capulet/Balthasar/Abram), Hilary Maclean (Nurse/Paris/Friar John/Capulet/Sampson), Jonathan Oldfield (Friar Laurence/Lady Capulet/Tybalt/Peter/Montague), and Thomas Wingfield (Romeo/Lady Montague/Gregory).

Dramaturgy by Nancy Keystone.

Modern verse translation. Includes series preface by Lue Douthit and foreword by Nancy Keystone.

Sets by Julie Barnhardt and costumes by Jeffery Todhunter.

Produced by the Alabama Shakespeare Festival (https://asf.net) at the Festival Stage, Montgomery, AL, 23 February-12 March 2023.

With Greta Lambert (Prospero). 

Explores Wasteland Theatre Company's use of Fallout 76 to perform productions of Shakespeare within open video game world. Considers how Fallout games are "peppered" with references to Shakespeare and how such references facilitate production of plays within game. 

Produced by the Utah Shakespeare Festival (https://www.bard.org) on tour at venues throughout Utah, Nevada, Arizona, Wyoming, and New Mexico, 30 January-21 April 2023.