138,701 entries in:
Includes eleven essays on Shakespeare. Afterword by Ton Hoenselaars.
Explores author's personal experience grappling with anxiety. Discusses her anxiety in relation to literary works, including plays by Shakespeare. Documents her understandings of Much Ado About Nothing and Julius Caesar in light of experience with anxiety.
Introduces readers to Othello through accessible guide. Provides methods for approaching play, including literary and historical analysis, studying themes and characters, and evaluating play's adaptations and afterlives.
Investigates Shakespeare's dramatization of tragic conscience of Macbeth as murderer. Explores power and ambition's universality of in Macbeth, particularly in relation to representations of gender.
Discusses plays performed during reign of Charles I which focus on debt, fidelty and chance. Begins with study of court performance of Cymbeline in 1634, then proceeds to consider play's influence on plays by Philip Massinger and James Shirley. Focuses on trope of test of female chastify and its evolution in changing contexts of early modern economy. English summary, online.
Explores importance of rhetorical figure of hypallage ("exchange") to various forms of debt in early modern England. Explores exchanges of persons and things in Shakespeare’s Sonnet 87, then "miraculous reversals of debt" in Cymbeline and Winter’s Tale. English summary, online.
Explores role of debt in Shakespeare's work. Includes case study of Shakespeare family's debt as pertaining to history of Shakespeare as artist. English summary, online.
Links debts with doorways to argue for formal quality of early modern comedy's preoccupation with debt plots; connects imaginative power of off-stage space behind door with uncertainty of time and its connections to debt. Focuses on role of debt in Comedy of Errors and The Rape of Lucrece. English summary, online.
Spanish translation of Othello. Introduction by Kenneth Muir, translated by Carlos Milla Soler.
Spanish translation of Julius Caesar. Introduction by Norman Sanders, translated by Matilde Fernández de Villavicenio.