"Media Collisions: The Intermedial Intersections of Theater, Art, and Technicolor in Laurence Olivier's Henry V"
https://www.worldshakesbib.org/entry/bbbo9/
Author:
	Denslow, Kristin N.
Type:
	Journal Article
Year:
	2024
Publication Information:
	Literature/Film Quarterly 52, no. 4 (2024). (https://lfq.salisbury.edu/_issues/52_4/media_collisions_the_indermedial_intersections_of_theater_art_and_technicolor_in_laurence_oliviers_henry_v.html#gsc.tab=0.)
Annotation:
	Situates Olivier’s Henry V (1944) within history of media, rather than history of Shakespeare adaptation. Illustrates how film projects not only triumph of England (and its allies) in World War II, but also film genre's triumph over theater and other artistic forms. Demonstrates that Olivier’s movie reveals intermediality at heart of every film, as it captures, encapsulates, and absorbs accumulated media history and its associated medial constraints and possibilities.
Language:
	English
Persons:
	Olivier, Laurence
Tags:
	Film, Cinema, Television, Radio, Henry V, Scholarship, Criticism, History of Criticism, Translations and Adaptations
WSB Update:
	Spring 2025
WSB Record Number:
	bbbo9