"The End(s) of The Tempest in Post-apartheid South Africa" 
https://www.worldshakesbib.org/entry/bbbo470/
Author:
	de Waal, Marguerite.
Type:
	Journal Article
Year:
	2025
Publication Information:
	Shakespeare (British Shakespeare Association) 21, no. 1 (2025): 157–72.
DOI:
	10.1080/17450918.2024.2373848
Annotation:
	Offers history of post-apartheid South African performances of Tempest, turning to productions at Maynardville Open Air Theatre, Cape Town (1994, dir. Roy Sargeant, q.v.); Rhodes University, Makhanda (1994, dir. Andrew Buckland); Durban University of Technology (2003, dir. Brian Pearce); University of the Witwatersrand, Johannesburg (2004, dir. Malcolm Purkey, q.v.); and Baxter Theatre (2009, dir. Janice Honeyman, q.v.). Considers productions in term of casting, race, language, and politics. Suggests that these productions "reveal a need for something other than The Tempest to give voice to contemporary concerns." English summary, 157.
Language:
	English
Cross-References:
	Honeyman, The Tempest
	Purkey, The Tempest
	Sargeant, The Tempest
Persons:
	Sargeant, Roy; Buckland, Andrew; Pearce, Brian; Purkey, Malcolm; Honeyman, Janice
Tags:
	Scholarship, Criticism, History of Criticism, Stage and Theater History, The Tempest
WSB Update:
	Summer 2025
WSB Record Number:
	bbbo470