Shakespeare in Ireland: Adaptations and Appropriations
https://www.worldshakesbib.org/entry/aaao538/
Author:
	Murphy, Andrew, editor.
Type:
	Book Collection
Year:
	2025
Publication Information:
	Bloomsbury Arden Shakespeare, 2025. xiv + 238
Series Statement:
	(Shakespeare and Adaptation.)
Annotation:
	Includes twelve essays on Shakespeare.
Shakespearean Content:
	O'Shaughnessy, "Thomas Sheridan's Coriolanus (1752) and the making of Smock Alley"
	Caball, "Tralee, 1756: Shakespeare on the Atlantic Edge"
	Ingelbien, "Gothic Protagonist, Romantic Icon, Irish Character?: The Uses of Shakespeare in the Portrayal of Melmoth the Wanderer"
	Rhodes, "From Stratford to Galway: W. B. Yeats on Shakespeare"
	Olk, "Unquiet Ancestors: Beckett Reading Shakespeare through Synge and Joyce"
	Quinn-Leitch, "Shakespeare Icononography in Victorian Belfast: Materiality, Industrialization, Imperialism"
	Murphy, "Séacspaoir sa Taibhdhearc: Irish Translations"
	O'Neill, "Shakespeare's Irish History Museum: Adapting Richard II"
	Lonergan, "Hamlet the Irishman: Irish Theatre Histories, Re-invented and Re-circulated"
	McHugh, "'Great liberties are taken with the action': Siobhán McKenna's 'experimental version' of Hamlet"
	Nakase, "'Looks the part': Conceptual Casting as Incomplete Adaptation in Corcadorca's Merchant of Venice (2005) and Terra Nova's Belfast Tempest (2016)"
	Burnett, "'To tell [Ireland's Shakespeare] story': Filmic Histories / Social Justice"
Language:
	English
Tags:
	Festschriften and Edited Collections
WSB Update:
	Fall 2025
WSB Record Number:
	aaao538